My primary inspirations are the human form and the lyricism of handwriting, calligraphy, and graffiti.
My abstractions are non-representational yet they are entirely narrative in form.
My approach to mark-making and to composition is born of a deeply intuitive process. It is in equal measures frenetic, exhilarating, impatient and therapeutic.
Each layer or gesture leads to new expressions. Hence my eagerness to embrace the inevitability of happy windfalls.
…Arranging and redacting, marking and inscribing, layer upon layer until the information on the page emerges as something altogether different from where I began - both obscured and unified into a new whole.
